< Taylor Tomlinson's mom died young. This is how she stays connected to her memory

RACHEL MARTIN, HOST:

Does the idea of an infinite universe excite you or scare you?

TAYLOR TOMLINSON: Depends on the day.

(SOUNDBITE OF MUSIC)

TOMLINSON: You know, growing up in church, so much of your life is focused on knowing exactly what happens when you die and making sense of it all. And here's the book, and it tells us everything. I found a lot of freedom in deciding that I didn't know and was never going to know.

MARTIN: I'm Rachel Martin, and this is WILD CARD, the game where cards control the conversation.

(SOUNDBITE OF MUSIC)

MARTIN: Each week, my guest chooses questions at random from a deck of cards. Pick a card one through three. Questions about the memories, insights and beliefs that have shaped them.

TOMLINSON: As an adult, it's easy to feel sad and hopeless and scared.

MARTIN: My guest today is comedian Taylor Tomlinson.

TOMLINSON: And I think when you are a kid, you're obviously more naive. But I think being naive can be good.

MARTIN: Usually, when I watch stand-up comedy, there is a safe layer of remove. Like, the situations they're describing of stories they're telling happen to someone else, right? I don't relate, but I get why it's funny. When I watched Taylor Tomlinson for the first time, I laughed in a way that only happens when you have lived the joke, but you couldn't see the funny. And when Taylor points it out, it's a special kind of hilarious that comes with a good dose of perspective. This is a long-winded way of saying that Taylor Tomlinson makes me feel seen deeply.

Conservative Christian upbringing - check. Dead mom - check. Bad dating history - check. Hosts a sort of fake game show - check. Took yourself to the ER because you thought you swallowed an AirPod or, in my case, a nose ring - check. How could I not invite Taylor Tomlinson to play our game? Her newest Netflix special is called "Have It All." She's also the host of the CBS late-night show "After Midnight." Taylor, welcome to WILD CARD.

TOMLINSON: Oh, my gosh. Thank you for having me. First off, are we the same person? I can't believe that list.

MARTIN: I mean, we might be. You're way, way funnier than I am and younger and cuter. But...

TOMLINSON: No.

MARTIN: ...Besides that - yes.

TOMLINSON: No, no.

MARTIN: (Laughter).

TOMLINSON: Definitely not cuter. I'm certainly dumber, that's for sure.

MARTIN: Nah (ph).

TOMLINSON: Also, I have to hear the nose ring story.

MARTIN: OK. I thought you might ask. So I'm trying to think of the short way to say this. But when - in your comedy special, you talk about falling asleep and thinking that you swallowed an AirPod. And I'm watching this. I'm, like, traumatized again because - here's the short version - I'm embarrassed to admit I bought on Amazon a magnetic nose ring, right? And I had it. I was putting it in. And then my kid said something funny, and I inhaled it up my nose and could not find (laughter) it and convinced myself that it had lodged up, like, in my nasal cavity or in my brain...

TOMLINSON: Obviously.

MARTIN: ...To the point where my husband got this huge industrial magnet, and we (laughter) - to, like, lure it out. And it didn't work. So I went to the ER. I was the crazy person in the ER trying to convince them that I had maybe inhaled/swallowed my nose ring. Like, they...

TOMLINSON: Did they do an X-ray?

MARTIN: ...Did X-rays. Oh, yeah. They totally took X-rays, but they took them, like, of my chest or my stomach. They did not understand what my story was. And then I just snuck out. Like, after the X-rays, I was just mortified, and I just left.

TOMLINSON: That's so funny because I was also - that was how I was going into it, too. I'm like, can you guys just do some X-rays? Like, I just need to know. I'm probably wrong, but just do some...

MARTIN: Right.

TOMLINSON: ...X-rays. And they were like, all right. And luckily, my youngest sister found the AirPod at home before we got those X-rays done.

MARTIN: (Laughter).

TOMLINSON: And then I didn't even want to tell anybody I was going to leave. I'm like, let's just sneak out. I'm so embarrassed.

MARTIN: That is what I did.

TOMLINSON: Yeah.

MARTIN: I did not check out. It was just like - I started to feel so guilty because there were other people. You know, it's an ER...

TOMLINSON: Yeah.

MARTIN: ...In D.C. It's crowded. And I was just like, you know what? Let's just forget this happened. I'm sorry I took up your time. And if it's in my brain, we're just going to deal with those repercussions when they manifest later.

TOMLINSON: Yeah. Yeah. It's fine - so funny. Yeah. People's bones are just coming out of their leg, and you're like, I just - do you have a bigger magnet?

MARTIN: (Laughter).

TOMLINSON: We tried at home with our ours, but they only go so big with a take-home magnet.

MARTIN: (Laughter).

TOMLINSON: God, that's so funny. That makes me feel so seen.

(SOUNDBITE OF BLUE DOT SESSION'S "ONEEIGHTFOUR")

MARTIN: So I've got a deck of cards in front of me. Each one has a question on it. I'm going to hold up three cards at a time, and you are going to choose one at random to answer. There are two rules. You get one skip. If you use your skip, I'll swap in another question from the deck, OK?

TOMLINSON: OK.

MARTIN: And you get one flip. So you could...

TOMLINSON: Oh.

MARTIN: ...Put me on the spot and ask me to answer one of the questions before you do. You still got to answer it.

TOMLINSON: Oh.

MARTIN: But I'll just do it first...

TOMLINSON: OK.

MARTIN: ...If you're so inclined.

TOMLINSON: OK.

MARTIN: We're breaking it up into three rounds - memories, insights and beliefs - with a few questions in each round, OK?

TOMLINSON: OK.

MARTIN: Because it's a game, there's a prize at the end. OK, with that, ready?

TOMLINSON: Yes.

MARTIN: Let's do it. First three cards. We're in the memories round. One, two or three?

TOMLINSON: One.

MARTIN: One. What's a moment from your childhood when you realized you wanted to make different choices than your parents?

TOMLINSON: Oh. I mean, I do think growing up, my parents had gotten married in their early 20s before they finished college and never really encouraged that - would say things like, wait till you're 27 to get married. Like, you don't have to get married while you're still in school. Like, finish school, live a little life, and then get married. But even then, I don't know that I felt that way 'cause I did really want to be married when I was little.

So I think that if I had met the person I thought was my person at, you know, 20 - which, of course, we all did, and we were wrong - but if I (laughter) had wanted to get married at 20, I would have just done it. I wouldn't have said to myself, well, you got to wait. Remember, you need to make a different choice than your parents.

MARTIN: Yeah. Although it must be said, you came from a super Christian conservative home and culture, where people, I assume, like the one I grew up in, got, like, maybe it wasn't 19, but maybe it was, like, 22...

TOMLINSON: Oh, yeah.

MARTIN: ...When people got married.

TOMLINSON: Oh, yeah.

MARTIN: So it was a lot of your peers, I imagine, did that.

TOMLINSON: Well, it's a wild thing to tell people, hey, you should wait to get married, but also don't have sex until you're married. And you're like, you've got to pick one, everybody.

MARTIN: (Laughter).

TOMLINSON: Like, do you want me to wait or - do you want me to wait to get married, or do you want me to wait to have sex? What's the choice here? (Laughter). Although I will say that - going back to religion, I think that was an example of a different choice I was making than my parents and my family, and I think...

MARTIN: Yeah, that's a big one.

TOMLINSON: That's a huge one. Yeah, where you sort of gradually come to the realization that this isn't right for you, or it's not necessarily what you believe.

But when your whole family believes this thing, it is very hard to accept that you don't feel that way because you're afraid of being isolated and ostracized from your family. At least that was my experience. I don't know what your experience was.

MARTIN: Yeah, my distancing myself from that came a lot later. Like, as an adult. When I was young, I was, like, all in. And mine - my experience wasn't as extreme as yours, I think we could say. I mean, the - and I shouldn't put words in your mouth, but you came from a really evangelical Christian culture that did not allow for a lot of individual choice.

TOMLINSON: Yeah.

MARTIN: Is that fair to say?

TOMLINSON: Yeah. Oh, absolutely, super fair.

MARTIN: Yeah. OK. I feel like there's more to plum, but we're going to move on.

TOMLINSON: Oh my gosh, look, you and I could talk about religion for hours, I'm sure. Whenever you find people who also grew up that way, truly, how much time do you have?

MARTIN: How much time do we have?

TOMLINSON: Yeah.

MARTIN: How much time do we have? OK. Three more cards. One, two or three?

TOMLINSON: One.

MARTIN: One. What do you admire about your teenage self?

TOMLINSON: Oh, what a good question. I admire how hopeful she was. I think that a lot of teenagers are probably like this, but I think she really believed in her future. I think at the time, I was really unhappy and really struggling with depression and anxiety and a whole host of other things. But my head felt like a very safe place to go to. Like, it felt like my imagination was very rich and fulfilling, and I felt very hopeful about the future and excited and inspired by that. That's been something that I've lately been really trying to get back to about myself.

MARTIN: Is just the confidence and setting your expectations high, not letting other people limit them, or what do you mean?

TOMLINSON: Not even confidence. I think just hopefulness. Maybe a little bit of delusion as well, like...

MARTIN: Yeah.

TOMLINSON: ...I think as an adult, sometimes you feel sort of bogged down by everything. It's easy to feel sad and hopeless and scared. And I think when you are a kid, you're obviously more naive. But I think being naive can be good.

(SOUNDBITE OF MUSIC)

MARTIN: OK, we've got to take a quick break. But when we come back, Taylor talks about an emotion she understands well.

TOMLINSON: I think that I, at my core, I'm a very fearful person.

(SOUNDBITE OF MUSIC)

MARTIN: Round two is insights, stuff you're working on now, lessons you're learning today. OK? Three new cards. One, two or three?

TOMLINSON: Let's do three.

MARTIN: Oh, I like this one. What emotion do you understand better than all the others?

TOMLINSON: Oh. I'm going to use my flip. I would love to hear what your answer is (laughter). Did I stump you or are you excited to answer it?

MARTIN: I just - I like this question, but I haven't worked out why I love it so much.

TOMLINSON: It's a good question.

MARTIN: OK. So I guess what I'm going to answer is going to make people think that I'm a - like, someone who rages. But I guess it's the verb understand, because I think I understand anger. I'm not - I don't think people would describe me as an angry person. I feel a lot. The other emotions are primary in my life. I'm really good at joy. I'm, like, very good at gratitude. I - you know, I'm not, like, some angry person. But having said that, I do get angry. And sometimes, it's like a little flash. And especially when I had really young kids, this thing would come up in me, and I'd be like, whoa. What was going on there? What is that?

And now when I read stories about people or just when I see someone have, like, a flash, I try not to judge them by that moment. And I try to think about the broader context of their life because I've definitely gotten angry in a way that made me feel a little bit ashamed...

TOMLINSON: Yeah.

MARTIN: ...Before. So I guess I think about anger a lot. And - I don't know - I think that helps me understand it maybe.

TOMLINSON: Yeah.

MARTIN: That's my answer.

TOMLINSON: That's a great answer. That makes a lot of sense.

MARTIN: What you got?

TOMLINSON: I think mine is fear. I think that I, at my core, am a very fearful person and have just learned to get comfortable with sort of being perpetually afraid, which is all anxiety is is just constant fear - just a constant hum of fear.

MARTIN: Did getting up on a stage - is that just, like, the thing that helps you not be afraid? Because it's so frightening to the rest of us civilians to think about making yourself vulnerable in that way. That seems very scary to do what you do 'cause it's not just the getting up on stage, Taylor, but the - you really do talk about all your stuff...

TOMLINSON: Right.

MARTIN: ...Really painful things, you know?

TOMLINSON: Yeah.

MARTIN: And that seems like it would be scary.

TOMLINSON: It is. It's very scary. But you get so used to it, I think. And I was so scared of how I would feel if I didn't do it that I think that helped me push through the stage fright is I was afraid that I would get years down the road and go, man, I really wish I had pursued that, or I wish I had done more with this potential I had. And I wish I'd developed this talent that might have taken me somewhere. And it certainly helps day to day, too, when people remind me how terrified they would be to go up in front of thousands of people. It does...

MARTIN: Yeah.

TOMLINSON: ...Help empower me to do other things, where I go, why am I afraid to talk to somebody at the grocery store when I talked to 3,000 people last night, you know? (Laughter) Like, it helps you go...

MARTIN: Well, I get that.

TOMLINSON: Yeah (laughter).

MARTIN: I get that. I mean, 'cause they're just, like, a bunch of people in an auditorium who are - mostly think you're awesome. Like...

TOMLINSON: Right.

MARTIN: ...They bought a ticket to see you. But the person at the grocery store, who knows?

TOMLINSON: That's such a...

MARTIN: And they're so close.

TOMLINSON: You know what?

MARTIN: And, like, you can see their face.

TOMLINSON: You're right. I'm scared again.

MARTIN: (Laughter).

TOMLINSON: No, you're right.

MARTIN: Great.

TOMLINSON: You're so right.

(LAUGHTER)

MARTIN: OK. Three new cards. One, two, three.

TOMLINSON: Let's do two.

MARTIN: Two. What is something you still feel you need to prove to the people you meet?

TOMLINSON: Well, I - my instinct is to say to prove that I'm funny, but I don't feel that I need to prove that to everyone I meet, which I think is different than when I was younger. I think when I was younger, probably I felt differently. But I don't really feel that way anymore. I don't know. I want people to think I'm kind, which can be a hard thing to prove.

MARTIN: Yeah, but that's different. What I hear you saying is you're actually in a pretty comfortable place because I think that question plays off insecurities - right? - something that you still feel insecure about that you have to prove otherwise. And I'm not hearing that in how you're answering it. So that's pretty good.

TOMLINSON: That is good. Wow. This is like a therapy session. This is so nice.

MARTIN: (Laughter).

TOMLINSON: I'm going to fire my therapist. This is lovely.

(LAUGHTER)

TOMLINSON: There's nothing that I feel like I need to prove it to everyone I meet. There are certain things I want to prove to different people. Like, people I work with, I want to prove that I'm kind and hardworking, you know? People I'm performing for, I want to prove that I'm funny. Like, there's...

MARTIN: What about relationships, romance?

TOMLINSON: Oh. I mean, that's a great point (laughter). I mean, in romantic relationships, I certainly want to prove that I'm worthy and worth the effort. So...

MARTIN: Oh, that's big.

TOMLINSON: We really hit on something there.

MARTIN: (Laughter).

TOMLINSON: Well done. Well done, Rachel. It's like you know what you're doing. I was like, no, no, no. I don't feel the need to prove anything. You're like, what about in relationships? I was like, oh, God. That's right (laughter).

MARTIN: Sorry, man, but you put it all on...

TOMLINSON: Yeah.

MARTIN: ...Your special.

TOMLINSON: You're right.

MARTIN: So I knew it was there somewhere.

TOMLINSON: You're right. I was like, never mind.

MARTIN: (Laughter).

TOMLINSON: You know, in relationships, I definitely feel the need to prove myself, I think. And I think I'm different now. I think I've worked on it a lot, and I think I'm in a much healthier place with it now. But I do think for years I've definitely felt that I'm trying to prove myself in relationships and not in one way or not trying to prove one thing about myself. I'm just trying to prove that I'm worthy of love, which is not super healthy because we're all worthy of love.

MARTIN: All right.

TOMLINSON: But...

MARTIN: Plus, it can tend to make you self-sabotage, right?

TOMLINSON: Absolutely.

MARTIN: I'm not quite sure I'm worthy, so I'm just going to bail on this situation before you figure out...

TOMLINSON: Yes.

MARTIN: ...The whole thing.

TOMLINSON: Well, 'cause if you don't self-sabotage, and it doesn't work out, then it's easy to come to the conclusion that you're, like - you - even my best isn't good enough, you know? Like, even when you have no...

MARTIN: Yeah.

TOMLINSON: ...Regrets about how you handled something, if something doesn't work out, despite the reasons, it's easy to go to that place of, wow, my best isn't good enough, even though the truth of the matter is it just wasn't the right fit or the right combination of people for success.

(SOUNDBITE OF MUSIC)

MARTIN: We've got another short break. But when we return, Taylor talks to me about what it was like to leave her Christian faith.

TOMLINSON: It's a gradual process, I think, falling out of love with a religion.

(SOUNDBITE OF MUSIC)

MARTIN: You have round three to go - beliefs, OK?

TOMLINSON: Oh.

MARTIN: This is how you see the world, that kind of thing.

TOMLINSON: Which round do you think is the hardest?

MARTIN: This one.

TOMLINSON: This one. Yeah. That's what I was going to say.

MARTIN: I mean, sometimes I think it's two because it's things you're learning in real time. But I think you, in particular, you work all this stuff out anyway. It is your work to think about the lessons that you keep on learning. Like, that's what you make your comedy out of.

TOMLINSON: That's true.

MARTIN: So I don't know that that's necessarily - I don't know. We'll see. We'll see. We'll see.

TOMLINSON: Well, we're not done yet.

MARTIN: Maybe...

TOMLINSON: (Laughter).

MARTIN: Who knows?

TOMLINSON: We'll take stock at the end.

MARTIN: Maybe it'll be like, beliefs - piece of cake, slice of pie.

TOMLINSON: (Laughter).

MARTIN: Here we go. Three new cards.

TOMLINSON: Oh, the cards are red now.

MARTIN: Does that feel scary?

TOMLINSON: It does.

MARTIN: I think it's a warm red, though. It's a...

TOMLINSON: OK.

MARTIN: It's inviting. It's inviting.

TOMLINSON: (Laughter).

MARTIN: One, two, three.

TOMLINSON: One.

MARTIN: One. Does the idea of an infinite universe excite you or scare you?

TOMLINSON: Depends on the day.

MARTIN: Oh.

TOMLINSON: Depends on the day and where I'm at in my life. I think when I was younger, the idea of infinity really freaked me out. And as I've gotten older, I kind of go back and forth. You know, growing up in church, so much of your life is focused on knowing exactly what happens when you die and making sense of it all. And here's the book, and it tells us everything.

MARTIN: Yeah.

TOMLINSON: And there was a lot of - I found a lot of freedom in deciding that I didn't know and was never going to know. And so there was no point trying to figure it out. I think today it excites me. So I must be in a...

MARTIN: Yeah?

TOMLINSON: ...Good place this morning. Yeah.

MARTIN: But did you always feel that way? I mean, you didn't.

TOMLINSON: No.

MARTIN: You believed in a heaven and a hell and a God and creation. And so when you made that pivot, did it - was that scary?

TOMLINSON: Yeah. Oh, at the beginning, for sure. I mean, it's a gradual process, I think, falling out of love with a religion. I think it's really hard to accept, and you go back and forth for years. And you have to constantly work on it and sit with some really uncomfortable feelings.

MARTIN: Yeah. For me, it was the falling out of love when you don't have something to replace it with immediately.

TOMLINSON: Yeah.

MARTIN: And then that feels empty.

TOMLINSON: Yeah.

MARTIN: Woo.

TOMLINSON: (Laughter).

MARTIN: Three more cards...

TOMLINSON: OK.

MARTIN: ...OK? One, two, three - still in beliefs.

TOMLINSON: Three.

MARTIN: How do you stay connected to people you've lost?

TOMLINSON: I think you have to - do you mean people who have died or just people you've lost...

MARTIN: I know. We say lost.

TOMLINSON: ...Touch with?

MARTIN: I mean, you can interpret it however you want to. Yeah. I should say that. What am I talking about? It means dead.

TOMLINSON: Yeah (laughter).

MARTIN: It means dead. What does it mean? Like, I lost touch with my second-grade teacher.

TOMLINSON: Right.

MARTIN: And I stalk her on Facebook...

TOMLINSON: Right.

MARTIN: ...But no.

TOMLINSON: That's so funny. I know. Now you don't have to lose touch with anybody because of social media.

MARTIN: Right. You don't.

TOMLINSON: Yeah. No, I think especially since we're both in the dead mom club, as they call it, I think just talking about them and asking people who knew them longer than you for stories and people who knew them in different ways than you...

MARTIN: Yeah.

TOMLINSON: ...How they knew them and - if you are so inclined creatively - writing about those people and finding ways that you're similar to them or different than them or even, like, what they would think of movies and TV shows that are coming out, like...

MARTIN: Yeah.

TOMLINSON: ...You know? Like, I think my mom would have really liked Substack, like, you know (laughter)? Like, it's...

MARTIN: (Laughter).

TOMLINSON: Like, I remember talking to my grandma once somewhere like, she'd probably have a blog, right? Like...

MARTIN: (Laughter).

TOMLINSON: ...It's just even stuff like that (laughter).

MARTIN: What do you share in common with your mom? You were young when she died. But what do people tell you about how she shows up in you?

TOMLINSON: She loved to write, and I think I have that. I mean, I have three siblings, and two of us look like my dad and the middle two look more like our mom. And I was always so jealous that I didn't look like my mom.

MARTIN: Me, too. My mom was the...

TOMLINSON: Yeah.

MARTIN: ...Pretty one of - between her and my dad.

TOMLINSON: Oh, me too.

MARTIN: I got my dad's looks, too. Yeah.

TOMLINSON: Yeah.

MARTIN: Yeah, yeah, yeah.

TOMLINSON: It's - I know. And it's so funny 'cause it's such a specific thing - not to hurt our dads' feelings.

MARTIN: I know.

TOMLINSON: It's like - I'm sure both our dads are handsome as well. But I - yeah, I always wanted to have more in common with her. But, you know, she was an extrovert. I'm not an extrovert. Like, I had a lot - I was really insecure about the fact that I didn't have more in common with her. She was very charismatic and smart and funny. And I just - I didn't feel that I had those things.

MARTIN: Well, I mean, Taylor, charismatic, smart and funny, you know...

TOMLINSON: I mean...

MARTIN: ...You're all those things.

TOMLINSON: We're doing a real good impression of it now. That's - (laughter) which is what...

MARTIN: But isn't that all what it is? You know?

TOMLINSON: I know. Well...

MARTIN: You just imitate it until it becomes you. And then it is you.

TOMLINSON: Yeah. I feel like she - this is sort of sad - but I felt like because she died so young - she died when she was 34, and she was sick, like, the last two years. So she got sick at 32, I think. And she had kids really young. And so when she died, I was like, wow. What a waste, you know? What a waste of such an amazing person and just taken way too soon and all this talent and creativity that I have scraps of.

And so that's probably a big reason why I've tried to stretch those scraps as far as I can and have been able to, (laughter) you know, with the help of Netflix. But the - I had, like, a moment maybe a year ago, where I was like, man, I've really pushed the bits of her I got to the limit because in some ways I just feel that I'm the unrealized potential that she didn't get to realize, which is so sad.

MARTIN: What was your mom's name?

TOMLINSON: Angela.

MARTIN: I think Angela would be into Substack. And she would be into Taylor Tomlinson...

TOMLINSON: That's nice.

MARTIN: ...For sure.

TOMLINSON: I hope so.

MARTIN: Yeah.

TOMLINSON: (Laughter).

MARTIN: I'm pretty sure.

TOMLINSON: Maybe she wouldn't. Maybe she'd be like, you're kind of a hack. I don't know.

(LAUGHTER)

MARTIN: She'd be, like, a heckler at all...

TOMLINSON: Yeah, yeah, yeah.

MARTIN: ...Your shows (laughter).

TOMLINSON: She's like, I don't get it (laughter).

(SOUNDBITE OF MUSIC)

MARTIN: Taylor, you won the game.

TOMLINSON: I did?

MARTIN: You did.

TOMLINSON: Does anyone ever lose?

MARTIN: No.

TOMLINSON: Not yet.

(LAUGHTER)

MARTIN: All right. You never know. OK. So, no, you won the game. So because of this, you get a prize. And the prize is a trip in our memory time machine.

TOMLINSON: Oh, my God.

MARTIN: Here we go (imitating machinery beeping).

TOMLINSON: (Laughter).

MARTIN: You get to go back in time to a moment in your past that you wouldn't change anything about. You would just like to hang out there and linger a little longer.

TOMLINSON: Oh.

MARTIN: Which moment do you choose?

TOMLINSON: Well, it should be something I can't experience again - right? - 'cause that would be a waste.

MARTIN: Yeah. Yeah.

TOMLINSON: And it can't go - I don't want to go back to something that'll make me super sad. Oh, I mean, the most obvious answer - because we've been talking about it so much - is I would just go back to a day with my mom. But I would probably pick a holiday. I'd probably pick Christmas because it was just such a full, joyful feeling of, like, all getting together at my grandparents' house. And it's back when I enjoyed church. Like, when I think about positive feelings towards church...

MARTIN: Yeah.

TOMLINSON: ...They all happened before my mom died and probably because when my mom died, I was like, I don't know about this anymore. But I remember feeling very comforted by church and feeling like that was a very consistent presence in my life when I was really young. And again, my whole family was religious. So it all just felt very - it all felt very safe.

MARTIN: Did your mom have a favorite Christmas song?

TOMLINSON: That's a great question for me to call my aunt or my grandma after this and ask them, honestly.

MARTIN: (Laughter).

TOMLINSON: I know that she and my aunt used to sing that "Sisters" song from "White Christmas."

MARTIN: But you don't - in this Christmas memory - I guess I'm trying to place her doing something - she's not singing.

TOMLINSON: I think everyone's just sitting around in my grandparents' living room, opening presents and talking and eating dessert. That's, like, sort of what I have in my head of, like, all the kids, like, playing around on the floor or sitting on, like, my grandpa's lap and, like, listening to the adults talk. And it would be great to go back to that moment now, especially being the age that they were and being able to hear what they were talking about.

MARTIN: You're basically telling me that you want to use the memory time machine to eavesdrop.

TOMLINSON: Yes.

MARTIN: That's cool.

TOMLINSON: Yeah. I want to see what everybody...

MARTIN: That's cool.

TOMLINSON: ...Was saying (laughter).

MARTIN: Were they talking about me?

TOMLINSON: Yes.

(LAUGHTER)

MARTIN: Taylor Tomlinson, it has been such a pleasure to talk with you. Thank you so much.

TOMLINSON: This was so lovely. Thank you so much, Rachel.

(SOUNDBITE OF MUSIC)

MARTIN: Next week on WILD CARD, actor and producer Lena Waithe plays the game. She's known for her work on shows like "Master Of None" and "The Chi." And Lena tells me she's working on humility.

LENA WAITHE: My least favorite thing...

MARTIN: Yeah.

WAITHE: ...Is getting something wrong.

MARTIN: Yeah.

WAITHE: And that could be in many ways. You know, it'd be a relationship, you know, some trivia. You know what I mean?

MARTIN: (Laughter).

WAITHE: It's like, I don't want to get this wrong. And I want to...

MARTIN: And both of those were in...

WAITHE: ...Get it right.

MARTIN: ...The same breath.

WAITHE: I know. It's like...

MARTIN: (Laughter).

WAITHE: ...Relationship, like, Taboo, you know what I mean?

MARTIN: This episode was produced by Lee Hale and edited by Dave Blanchard. It was fact-checked by Will Chase and Greta Pittenger and mastered by Robert Rodriguez. WILD CARD's executive producer is Beth Donovan. Our theme music is by Ramtin Arablouei. You can reach out to us at [email protected]. We'll shuffle the deck and be back with more next week. See you then.

(SOUNDBITE OF MUSIC)

Copyright © 2024 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.